Dzenan Hadzihasanovic

Artist

  • Painting
    • Blank Title
    • Queue
    • Bosanski ćilim
    • The Hands of Time
    • Imago Mundi/Benetton collection
    • Private collection
    • Random paintings
  • Performance
    • Three Monkeys
    • 70 godina bitke na Neretvi
    • We Shine
    • La Charlama teatar
    • Across Kitch
    • Kamuflage
  • Restoration
    • Ferhadija Mosque / Banja Luka
    • Mišćina mosque / Sarajevo
    • Ferhadija mosque / Sarajevo
    • Atik Behram-begova (Šarena) mosque / Tuzla
    • The Čaršija / Džudža Džaferova mosque / Tomislavgrad / Duvno
  • CV
    • CV_Dženan Hadžihasanović ENG
    • CV_Dženan Hadžihasanović BOS
    • The Asolo Rotary Club Award for Young Artists
  • About
  • Contact
 Blank Title, 100x70 cm, akril na platnu, 2020.

Blank Title, 100x70 cm, akril na platnu, 2020.

 Blank Title, 100x56 cm, akril na platnu, 2020.

Blank Title, 100x56 cm, akril na platnu, 2020.

The Living Musem project, 2019.

The Living Musem project, 2019.

Savremeni konTEKSTi: oslikavanje socijalističkih slika / Contemporary conTEXTS: Re-imagining socialist images

„Blank Title“ najčešće kroz slikarstvo, obrađuje demonstracije, javni skup ili masu ljudi kao sociološki fenomen, bez vezivanja za konkretne historijske, geografski i vremenski ograničene događaje, ostavljajući parole praznim.

Blank Title i njegova poruka je individualna za svakog posmatrača, on je simboličan poziv na iskazivanje slobodnog mišljenja. Tako i u ovoj reprodukciji Jugoslovenskog, odnosno hrvatskog slikara Frane Delalle-a, sa poništenim tekstom na parolama i zamjenom teza kroz slikarstvo, ostavlja se prostor svakom posmatraču djela za razgovor sa samim sobom, na podsjećanje i provjeru našeg naslijeđa i na koncu, naslijeđe ljudske vrste. To je kontekst koji je nus pojava oduzimanja konteksta parolama koje nose demonstranti. Snaga ničega, snaga te praznine ili bjeline ima mogućnost poprimanja više različitih konteksta – oduzimajući im smisao, ona dobiva smisao.

* * *
The idea of a work called "Blank Title", uses mostly painting as a technique to explore demonstrations, public gatherings or mass of people as a sociological phenomenon, without the links to specific historical, geographic or time-limited events, leaving the banners blank.
Blank Title and its message is individual to each observer, it's a symbolic call for expression of free opinion. Thus, this reproduction of a painting made by Yugoslav, more specifically, Croatian, painter Frane Delale, with the text erased and the replacement of the slogans through the act of painting, opens the space for an inner discourse within each viewer of the work, to rethink and to review our removing the context of the slognas carried by the demonstrators.

The power of nothingness, the power of emptiness or whiteness, offers the possibility of taking on several different contexts - by taking away their meaning, they get meaning.

This is a joint project with the History Museum of BiH, King’s College London and the University of the Arts London.

SOLD

SOLD

500x270cm

 

BLANK TITLE / 2016

 

Potencijal slobodnog govora

 

Rođen 1987. godine, Hadžihasanović 2012. diplomira slikarstvo na Akademiji likovnih umjetnosti u Sarajevu. Još tokom studija, 2010. godine, zajedno sa Emirom Mutevelićem i Eminom Huskić osniva umjetničku grupu Color Crew, koja je svojim socijalno angažovanim performansima u stilu slaptstick komedije u javnom prostoru privukla veliku pažnju u Sarajevu i regionu.

 

Od 2012. godine Hadžihasanović i Mutevelić zajedno sa Jusufom Hadžifejzovićem, jednim od najrenomiranijih konceptualnih umjetnika na prostoru bivše Jugoslavije, realizuje nekoliko performansa pod nazivom Razveselite vaše u tuđini, koji su između ostalog predstavili na 16. Bone performans festivalu u Bernu (2014), na Institutu za savremenu umjetnost u Zagrebu (2015), te u nešto izmijenjenoj formi i pod nazivom Jump into the Unknown u okviru koreanskog priloga na Venecijanskom bijenalu 2015. godine. Pored toga, Hadžihasanović sudjeluje i na restauraciji 13 kulturno značajnih objekata kao što su Ferhat-pašina džamija u Banja Luci i Vijećnica u Sarajevu, koja je postala simbol ratnog razaranja kulturnog naslijeđa.

 

Karakteristična lakoća njegovog slikarskog poteza i intuitivna sigurnost kompozicije i kolorita zasigurno su neki od razloga zbog kojih je Hadžihasanović bio angažovan i od strane drugih umjetnika. Tako je za instalaciju T is for Toe. Words, Objects, Alphabets (2012) švedskog umjetnika Felixa Gmelina oslikao više desetina filmskih isječaka s natpisima iz Hollis Framtonovog eksperimentalnog filma Zorns Lemma (1970).

 

Iako značajan i veliki dio umjetničke prakse Dženana Hadžihasanovića čine performansi i akcije u javnom prostoru, njegova primarna umjetnička priroda je slikarska. Već duži niz godina u centru njegovog interesa su pojave masovnih okupljanja u javnom prostoru i politički protest kao forma društvene komunikacije, koja je u svojoj srži istovremeno dozvoljena, odobrena i regulisana, i kao takva vrlo ambivalentna. Pročitajte više...

 

Sandra Bradvić

Prijevod Njemački-B/H/S: Asija Ismailovski

Lektorat: Marijana Lalović-Gelo

Photo © Nikola Blagojević

Blank Title at Art Verona, 2017 / SOLD

Blank Title at Art Verona, 2017 / SOLD

Blank Title at Art Verona, 2017 at which I received The Asolo Rotary Club Award for Young Artists

Blank Title at Art Verona, 2017 / SOLD

Blank Title at Art Verona, 2017 / SOLD

Blank Title at Art Verona, 2017 at which I received The Asolo Rotary Club Award for Young Artists

Blank Title at Art Verona, 2017 / SOLD

Blank Title at Art Verona, 2017 / SOLD

Blank Title at Art Verona, 2017 at which I received The Asolo Rotary Club Award for Young Artists

  BLANK TITLE / 2016       Potential of the free speech      Focus of the Blank Title series is large format painting made of 35 pieces, carrying the same title as the exhibition.     Piece size over three meters from a distance looks like atmospheri

BLANK TITLE / 2016

 

Potential of the free speech

 

Focus of the Blank Title series is large format painting made of 35 pieces, carrying the same title as the exhibition.

 

Piece size over three meters from a distance looks like atmospheric shot from above, showing a large group of people. The characters are presented smaller, with their faces and bodies painted only as dots and lines. Surface of the picture is dominated by white bannerswich are held lifted by the characters. White, which at the same time symbolizes all possible and no concrete meanin, from compassion to ignorance, highlights the wide range of activities that protests today, rapidly spreading through mass and social media, can have on the global and local level. Question is can photos of protests that are coming to
us daily through media, cause sincere empathy or protests became pure formality, politically motivated and media staged farce?

 

Form of the image made out of 35 pieces is temporary and can be complemented at any moment.

With that, image is opened to all directions. Contrary to work Hands of time, Blank Title is not temporally and geographically limited, nor is it related to specific historical events. Each image is a fragment, a part of a unity, just as a unity is only current view complex social condition. Wittingly waiver captions on the banners, combined with white surfaces, achieves game within the
composition, light and shadow, clarity and diffusion and allows movement of the center of the image and new accentuation.

 

Blank Title is Hadzihasanovic conscious attempt to create a universal image of protests. Everyone is encouraged to recognize themselves and give their opinion. With open form of work the artist expresses his form of protest against the repression of social movements, which often ends up with their attenuation and persecution of protesters. Blank Title actually represents simbolic call for expression of free opinion.
To oppose to something is the basis of any form of discussions based on the argument and counterargument, every civilized debate, the public based on diversity of opinions, which is why we always negotiate and which requires from participans the acumen and ability to articulate.


Potential of that articulation Hadzihasanovic is formulating through the process of creating a painting that represents its way the presence and participation in relevant social issues. With his work he opens podium that is accessible at any time and which is calling for the exchange of opinions, through images or in direct conversation.“

 

Sandra Bradvic
(excerpt from „Blank Title – potential of the free speech“)

  Blank Title , 120x80cm, 2019.  acrylic on canvas

Blank Title, 120x80cm, 2019.

acrylic on canvas

SOLD

SOLD

Blank Title, 50x40 cm, 2019.

acrylic on canvas

  Blank Title , 100x70 cm,  2019.  acrylic on plywood

Blank Title, 100x70 cm, 2019.

acrylic on plywood

SOLD

SOLD

Blank Title/Zagreb, 100x80cm, 2018.

acrylic on canvas

SOLD

SOLD

Blank Title, 30x30cm, 2018.

SOLD

SOLD

Blank Title, 90x70cm, 2018.

 Blank Title, Lukomir, 60x50cm

Blank Title, Lukomir, 60x50cm

SOLD

SOLD

Blank Title, 80x60cm, 2018.

 Blank Title, 20x20cm., 2019.

Blank Title, 20x20cm., 2019.

SOLD

SOLD

Blank Title, 30x30cm, 2018.

 SOLD

SOLD

 Blank Title, 90x90cm

Blank Title, 90x90cm

SOLD

SOLD

Blank Title, 30x30cm, 2016.

 Blank Title, 2016.

Blank Title, 2016.

 Blank Title, 45x60cm, 2017.

Blank Title, 45x60cm, 2017.

SOLD

SOLD

Blank Title, 61x41cm, 2018.

Winner of The Rotary Club Asolo Award, 2017.

Winner of The Rotary Club Asolo Award, 2017.

Blank Title, 30x30cm, 2017., winner of The Asolo Rotary Club Award for Young Artists at 2017,

 Blank Title, 80x60cm, 2017.

Blank Title, 80x60cm, 2017.

 Blank Title, 80x60cm, 2017.

Blank Title, 80x60cm, 2017.

SOLD

SOLD

Blank Title, 80x60cm, 2017.

SOLD

SOLD

Blank Title, 2016.

SOLD

SOLD

Blank Title, New York, 2016.

SOLD

SOLD

30x30cm

 Blank Title, 40x50 cm, 2017.

Blank Title, 40x50 cm, 2017.

1. Dzenan Hadzihasanovic, Blank Title, 2017. Acrilic on canvas, 50x70 cm.jpg
 Blank Title, 2017., 50x70cm

Blank Title, 2017., 50x70cm

 Blank Title, 50x70cm, 2017.

Blank Title, 50x70cm, 2017.

SOLD

SOLD

 30x30cm

30x30cm

 80x60 cm

80x60 cm

 80x60 cm

80x60 cm

IMG_5862.jpg
IMG_5842.jpg
IMG_5831.jpg
SOLD

SOLD

30x30cm

SOLD

SOLD

Blank Title, 30x30cm, 2016.

 30x30cm

30x30cm

IMG_5867.jpg
IMG_5870.jpg
IMG_5874.jpg
SOLD

SOLD

30x60 cm

IMG_3280.jpg
 2017

2017

 30x30cm

30x30cm

 30x30cm

30x30cm

 30x30cm

30x30cm

 30x30cm

30x30cm

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Previous Next
 Blank Title, 100x70 cm, akril na platnu, 2020.
 Blank Title, 100x56 cm, akril na platnu, 2020.
The Living Musem project, 2019.
SOLD
Blank Title at Art Verona, 2017 / SOLD
Blank Title at Art Verona, 2017 / SOLD
Blank Title at Art Verona, 2017 / SOLD
Blank Title - work on 35 pcs., 500x270cm painting / 2016.
  BLANK TITLE / 2016       Potential of the free speech      Focus of the Blank Title series is large format painting made of 35 pieces, carrying the same title as the exhibition.     Piece size over three meters from a distance looks like atmospheri
  Blank Title , 120x80cm, 2019.  acrylic on canvas
SOLD
  Blank Title , 100x70 cm,  2019.  acrylic on plywood
SOLD
SOLD
SOLD
 Blank Title, Lukomir, 60x50cm
SOLD
 Blank Title, 20x20cm., 2019.
SOLD
 SOLD
 Blank Title, 90x90cm
SOLD
 Blank Title, 2016.
 Blank Title, 45x60cm, 2017.
SOLD
Winner of The Rotary Club Asolo Award, 2017.
 Blank Title, 80x60cm, 2017.
 Blank Title, 80x60cm, 2017.
SOLD
SOLD
SOLD
SOLD
 Blank Title, 40x50 cm, 2017.
1. Dzenan Hadzihasanovic, Blank Title, 2017. Acrilic on canvas, 50x70 cm.jpg
 Blank Title, 2017., 50x70cm
Blank Title in process
Blank Title solo exhibition
 Blank Title, 50x70cm, 2017.
SOLD
 30x30cm
 80x60 cm
 80x60 cm
IMG_5862.jpg
IMG_5842.jpg
IMG_5831.jpg
SOLD
SOLD
 30x30cm
IMG_5867.jpg
IMG_5870.jpg
IMG_5874.jpg
SOLD
IMG_3280.jpg
 2017
 30x30cm
 30x30cm
 30x30cm
 30x30cm

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